Jason Chandler Brings Estate Piece Back To Life

When is a repair more than a repair? 

Many jewelers measure it by the challenges involved. This can be particularly true when repairing antique jewelry. Lance Campbell, Lang’s Antiques jeweler, finds himself replacing 100- to 150-year-old design elements assuring that they blend seamlessly. Or the challenge can be sizing a diamond-accented heirloom ring from a size seven to a three and a half. 

Sometimes, the money earned from a repair can put it in a class by itself.  

jason chandler
Jason Chandler, Portland Jewelry Academy

And then you come across a repair with a strong emotional pull requiring skill and sensitivity. This was the case for Jason Chandler when a rare retail customer entered his trade shop. “The Portland Artisan’s Shop is in a retail location,” Jason says, “but it doesn’t look like a store because most of our work comes from jewelry stores. So we don’t see a lot of retail customers.” And when they do come in, they’re looking for a custom design more often than not. 

But on this particular day, a father came in with an unusual request. He brought a sterling silver hamsa pendant  — clearly not an expensive piece. Jason explains, “He and his wife had gone to India and bought the hamsa for their young daughter. It’s a symbol meant to protect the wearer from harm — something we would all wish for our children. It wasn’t exactly tourist jewelry,” Jason says. “I’d say it was a grade above that. But it was for a child and not expected to last forever.”  

hamsa pendant
Google Image

Here, the story takes a tragic turn. Perhaps a year after the little girl received her gift, she died. The grieving father wanted it repaired so he could wear it on a chain in his daughter’s memory. “It wasn’t easy for him to talk about her, so I spent some time with him, and gradually he opened up and shared the story. I have children, so this tugged at my heart, and I wanted to make the piece as worthy of her memory.” 

The challenge was to strengthen it for longevity while maintaining the elegance and beauty of the symbol. And so his work began. 

Most of the marcasite had fallen out, so Jason suggested replacing them with black diamonds. Additionally, Jason suggested replacing the three blue CZs (set in the center three fingers) with aquamarines. He would bezel-set all the tones for security and longevity.  

The silver wasn’t thick enough to support the bezels, so Jason reinforced the back of the hamsa beneath each bezel with a small jump ring, carefully arranging them in a precise pattern.  

Jump rings (JR16:65030) and bezels (20929) 

“When he arrived to get it,” Jason says, “tears came to his eyes. The repair cost much more than the original piece, but I would’ve done the work just to see the look on his face. That was the real reward.”   

Have any of you had a memorable repair? We’d love to hear about it and look for the chance to feature it. 

We love talking about how awesome our customers are and sharing their stories. Check out these other features!

Beyond the Glass Feature: Valerie Madison Fine Jewelry

Beyond the Glass Feature: Dana’s Goldsmithing

MatrixGold User Feature: Donna Kovalchick

Creative Journey in a White/Space

Khadijah Fulton, owner and designer of White/Space, has had a busy six months. On the one hand, the small group of manufacturing artisans that helped her with large orders and busy seasons had to close for California’s stay-at-home order. She found herself filling all orders from her successful e-commerce business. Amazingly, the orders kept coming in.

On the other hand, she has two sons, ages 5 and 10, who have been home and learning online, which regularly impacts her bench time. Let’s note that Khadijah considers herself a mother first and a designer second. “All of our routines have been interrupted, and it’s just as stressful for them as it is for me. My 10 year old does pretty well, but my younger one is in kindergarten, and online classes prove challenging. He’ll sit for a while, then get up to play or come to see me.”

Khadijah Fulton, Founder and Designer, White/Space

The Beginning of White/Space Jewelry

Ironically, Khadijah was a designer long before she had her children. She graduated from Parson’s School of Design in NYC, then spent 10 hectic years in the fashion industry as a designer for brand name clothing lines. After Khadijah had her first child, she wanted to slow down her life, arranging her schedule around her child. She branched out into jewelry as a way to express her creativity.

White/Space Continuity Ring
White/Space Continuity Ring in recycled gold

She tries to keep her White/Space bestsellers in stock, making other pieces to order. Like any number of jewelers who’ve found themselves busy during COVID-19, Khadijah attributes her business growth to a couple of factors:

  • First, with travel and cruises out of the picture and dining out limited, jewelry plays an even more vital role in celebrations and feel-good moments. And when people choose a gift, they often spend more than they typically would.  
  • Second, her loyal, supportive customers who want to see her through this difficult time. “I hope a lot of jewelers have seen this. And it lifts your spirits that these customers are thinking of you when we all have so much to process. With so many people at home, they feel more conscious of their choices. They want to support local businesses and businesses that align with their values.”
  • “The Black Lives Matter movement has also helped my business grow,” Khadijah says. “It focused attention on black-owned businesses, and I saw my orders surge through June and July. It’s more settled now, but I’m still busier than I was a year ago.”

Fortunately, she connected with an artisan jeweler who lives near her home outside Los Angeles, which helped her keep up with the volume. And recently her artisan manufacturers in downtown Los Angeles re-opened, so she’s working with them again. “For several months, I had to chain myself to my bench for evenings and weekends to get my work done, so I’m grateful that I can share the load.”

White/Space Pink Pearl Swingback Earrings
White/Space Pink Pearl Swingback Earrings

Looking Ahead

Khadijah sells her designs in selective retail outlets, and she’s recently taken on new wholesale partners. But facing the future, she wants to focus on building her internal team to continue growing her direct sales alongside these wholesale relationships. 

“I want to build my brand, and I’ll need a team to help me grow,” she says. “I’m looking forward to finding great people that believe in the potential of White/Space as much as I do.”

She would like to focus on a bridal offering and take on more custom design for 2021. “By having a team in place, I’ll have more time to focus on designing more styles that my customers love and creating even more meaningful pieces for them, which I find the most rewarding parts of my job. As designers and jewelers, we get the privilege of making vessels for their sentiments, memories, and most treasured connections.”

Behind the Name

When Khadijah named her business White/Space, she thought of it in design terms: an open space that invites creativity and personal expression. In the last few years, through the BLM movement, it has taken on other connotations.

“I’ve worked in ‘white spaces’ much of my adult life in a real sense, working for larger companies where I was one of very few (or the only) Black designer on the creative team, and now in the jewelry industry, which also has the same issues,” she explains.

“But working for myself, I’m excited to be part of the change that both industries need, building a visible, distinctive, luxury brand and doing it as a Black woman. Hopefully, in the future, young creatives of color will grow up seeing even more successful designers that look like them and will feel like they would be welcomed into our industry.”

So far, this approach is leading her in the right direction.

White/Space Oona Empress Earrings
White/Space Oona Empress Earrings

Read more about Khadijah in The Holiday Issue of From the Bench

Lights, Camera, Jewelry: Happy World Photography Day

Every year, on August 19, we celebrate all things photography: the art, the craft, the science, and the history of this beloved medium.

As an industry, we have much to thank photography for. After all, perfectly captured jewelry photos can drive unprecedented traffic to your store or site, help you tell your brand’s story, land you a spotlight on a prestigious website, and more.

For this year’s celebration, we’re diving briefly into the history of World Photography Day and then highlighting a few Stuller products that will make jewelry photography a breeze for you.

Why August 19?

In 1837, Frenchmen Louis Daguerre and Joseph Nicéphore Niépce changed the world with the invention of the daguerreotype, the first publicly available photographic process. Two years later, the French Academy of Sciences unveiled this new invention to the world.

Although others would go on to improve photo processes of the time — such as Thomas Sutton, who took the first color photograph in 1861 — it’s Nicéphore Niépce whom history now knows as the Father of Photography.

Okay, but back to the question: why August 19?

Because August 19, 1839, was when the French Academy of Sciences gifted the daguerreotype to the rest of the world. In 2010, when World Photography Day was established, August 19 was fitting.

Happy 183rd birthday, photography!

Enhance Your Jewelry Photos

Simply put, photography is integral to industry success. Even if you’re not big on the social media scene, you probably need to take shots of your jewelry for something: appraisals, inventory, repair take-ins, custom job updates, and more.

The good news? Jewelry photography doesn’t have to be your forté, because Stuller makes it easy for any jeweler to up their photo game. When you have a split second to catch someone’s eye, make it count with some of our favorite Stuller-tried-and-tested products:


Capture ready-to-share, studio-quality images using nothing more than a smartphone with the GemLightbox. With the accompanying phone app, you can edit and upload your photos for use anywhere. All you have to do is place your jewelry inside, point, and shoot.

The result? Beautiful jewelry photos on consistent white backgrounds.

GemLightbox for jewelry photos
Item # 12-1210

GemLightbox Turntable

Get an up-close, 360-degree view at your jewelry with this turntable system, designed specifically to work with the GemLightbox.

The floating arm gives you complete control over adjusting the camera into any desired position, which makes it a breeze to work under.

GemLightbox Turntable for jewelry photos
Item # 12-1211

GemLightbox Aerial Turntable

Shoot photos and videos of hanging earrings, pendants, chains, and watches with the Aerial Turntable. This easy-to-set-up product is a plug-and-play solution that was designed to work inside the GemLightbox.

Gone are the days of photographing jewelry lying down at unflattering angles!

GemLightbox Aerial Turntable for jewelry photos
Item # 12-1212

Gemax Pro-II Digital Microscope — A Stuller Exclusive!

Show customers the raw, crisp beauty of your jewelry, diamonds, and gemstones with the Gemax Pro-II.

This digital microscope makes it easy for you to do a variety of tasks:

  • capture images to download for your files, printing, or social media
  • see girdle inscriptions and engravings for appraisals and customers
  • connect with a USB to enlarge images on a computer or TV monitor
Gemax Pro-II Digital Microscope for jewelry photos
Item # 13-1842

In the age of Instagram, Pinterest, and Facebook, having amazing visuals is the key to standing out and growing your platform. So, take some time today to learn a new thing about jewelry photography, invest in some new equipment, and get snapping away!

Need a place to get started?

Check out our three-part series on how to master jewelry photography:

And, if you want more great content watch Stuller photographer, Daniel Maldonado, in this one-hour webinar. Here, he discusses how to use a window as your source for natural light, the best surfaces to use, how he shoots gemstones, and more!

Utilize Scheduling to Amp Up Your Social Media Strategy

It’s a given that managing your business’s social media platform is hard, especially when you have more important things to do (like run a business). But did you know that in 2019, at least 90% of U.S. businesses used social media for marketing purposes? That’s why it’s important to stay ahead of the curve and optimize your social media strategy to benefit you, your time at work, and your business.

What is scheduling on social media?

Scheduling your posts on social media is essentially just creating your posts at an earlier date and using a scheduling tool to post on a designated date and time. I recommend putting some time aside each week (or even each month) to create the posts that you’d like to schedule in the future. Making a social media calendar is so beneficial, and it will make your life easier. I promise! All you need to do is find a monthly calendar online, and start filling it in. Here is an example of the calendar overview I use as Stuller.


Why should I schedule my social media posts?

 It is important to consistently post on your social channels. As far as frequency of posting, I don’t think there is a magic number of posts per day or per week that you should be putting out. My advice is to just be consistent. If you can dedicate one post a day, that’s great! If you want to post Mondays, Wednesdays, and Fridays–awesome! Just remember consistency is key.

How do I schedule?

At Stuller, we use the social media management platform Later to schedule posts on Instagram and Twitter. There is a free plan, but the paid subscriptions are as cheap as $9/month. Later supports scheduling on Facebook, Instagram, Twitter, and Pinterest.


Facebook has a tool called Creator Studio that allows you to schedule Facebook and Instagram posts. You can do things like schedule, post, backdate, or even save posts as drafts through Creator Studio. Facebook recently moved all of its scheduling abilities to Creator Studio, and it’s fairly easy to use.  So get used to it and have fun!


Watch my Facebook Live Learning Series webinar on the basics of social media here to learn more about scheduling as well as other tips for getting started on Facebook! 

For more Social Media tips, check out the Summer 2020 edition of From the Bench.

Heidi Lowe’s Unexpected Good Fortune


ftb Spring 2020 Heidi Lowe earringsWe feature Heidi Lowe in the new ftb on education, which is out now. During her 30 years as a jeweler in Rehoboth, Delaware, she has divided her time among custom jewelry for her clients, creating her own designs, and teaching jewelry classes both at her studio and universities.

With all the recent upheaval due to COVID-19, I touched base with her to see how she is doing. I was amazed by what she related.

The last time we spoke, her business had outgrown its 450-square-foot cottage/studio. Her contractor husband tore it down and is building her a 1650-square-foot shop with plenty of room to grow. Meanwhile, she had rented a tiny studio in a nearby town. ”I envisioned having time to focus on my own designs, and learn new techniques. Instead, I ended up busier than ever and able to keep the two younger jewelers I employ, working with me.”

Then COVID-19 hit. “I had no idea what it would be like or how I’d make it through,” she says. ”I figured it would be bad for my business, but beyond that, I had no idea. I have to say I didn’t imagine how well things have gone. I just had an amazing month. I’m busy every day, and I have a different focus.”

Heidi credits her long-time customers — some local and some who have moved away from Delaware — and her strong relationships with them. Before COVID-19, her studio and website featured 10-12 pieces by each of 50 designers she’d come to know over the years. She concentrated her work on her custom design clients, small collections, and her teaching.

Now she’s devoting herself to new designs and showing them on Instagram. “People message me if they want to buy a piece. Honestly, customers are buying everything I make. It’s out of the goodness of their hearts,” she says. “They want to be sure I’m surviving the shutdown. I find their concern very . . .” Her voice trails off.

She’s making most of her pieces in sterling with prices ranging from $150-$350. But she’s also had ten significant orders. “This involves phone calls and sending sketches and pictures back and forth until my customer is happy with the design. I’m inspired by how much they trust me.”

ftb Spring 2020 Heidi Lowe

She has a lot of work right now, and she’s using the opportunity to nurture her creativity. This is how she imagined this time while she waits for her new store. “I get better results, and clients are happier with what I create. It takes me longer to work this way, but I enjoy it, and customers are willing to wait.”

Heidi has always put extra effort into building close relations with customers, and during this challenging time, this work had paid off. “I’m naturally interested in understanding people, and it’s an important part of the designs I’m creating for them,” she says. “They want to know about me and my creativity because it makes each piece of jewelry special and personal.”

During this time, Heidi has given back to her creative community by offering her popular webinar, Abundance for Creatives, free. “Participation was incredible,” she says. “So I gave it twice. In one, I had 75 people, and 73 in the other.”

What lies ahead? Like the rest of us, Heidi isn’t really sure. She’s designed a line of gold jewelry and carved them, but she doesn’t want to cast he pieces until she’s open fulltime.

For more on Heidi’s store, click here.


Read more about Heidi’s passion for education in the Summer 2020 edition of From the Bench

Doug Meadows Goes the Distance


In late February 2019, Doug Meadows left the comfort of his Atlanta store far behind and traveled to Lusaka, Zambia. He’s there to teach a class of eager pupils, a group of young women ranging in age from 18 to 30. This was no ordinary class and not just because it was happening so far from home. It represented a goal Doug has worked toward through years of trips to African countries. He wanted to mentor businesses and share his jewelry expertise to help people improve their economic status and lives. He has been teaching this group for some years now.

Training Jewelers in Zambia

His students have a bare-bones workshop located in Lusaka’s slums. It has intermittent power, resulting in insufficient light. But the women are undaunted, happy to have a place to work, and grateful for the opportunities it gives them. Doug has helped them compensate for the power problems with battery-powered drills. They also have propane-fueled torches that he taught them to use. They do much of their work by hand.

The women create hand-fashioned jewelry from recycled copper that they sell to stores in Finland, South Africa, and a few in the U.S. But copper tarnishes and, as they seek to expand their markets, this poses a problem. “I’m a solutions guy, “ Doug says. “So, I immediately thought of gold plating the jewelry to elevate it, prevent tarnish, and broaden its appeal.”

Doug tapped his industry contacts to arrange a shipment of tools and supplies in August 2019 and returned to Lusaka in October 2019, to teach a group of the women how to do the gold plating. Unfortunately, the shipment was still in Customs only to be released the day before he left. That gave him one day to teach. Fortunately, he had brought a video of the training he did at Legor. He left this with them and promised to return for more instruction after the holiday season. Hence, the late February visit.

Dawn Close, the American missionary who runs the orphanage where the women live, has played a central role in supporting the burgeoning jewelry business. She has helped the women get grants to offset the cost of equipment and Doug’s travel, and she has helped them find markets.

As Doug reviews gold plating technique with a small group of women, the others continue to fashion their creations, completely engrossed in their work. It represents a level of economic independence and, most importantly, hope for a better future.

What He’s Learned

Doug says he’s learned more from these young women than they’ve learned from him. But I’m not sure they would agree. He’s taught them about gemstone faceting and lab-grown diamonds. He’s helped them get essential tools and how to use them. He’s helped them get and set up benches. And now he’s added gold plating to their skills.

“I’m blown away by what they’ve accomplished with very little,” he says. “It inspires me and speaks to their spirit and determination. I stay in regular touch with them and plan to help in any way I can. It’s been a gift to be part of this.”

His Own Path

For Doug, education is an ongoing pursuit. “Life is education. I’ve learned from everyone who has worked for me, from my customers, from jewelers I meet at conferences, and from business people I meet in my community and beyond.”

For the full story on Doug’s journey to Zambia, check out the Summer 2020 edition of From the Bench.

Dianna Rae’s Creative Haven


ftb Spring 2020 Dianna RaeIn 2014, Dianna Rae opened Dianna Rae Jewelry in Lafayette, Louisiana, and it soon became the city’s custom design mecca. Its custom made interior is an airy, light-filled space that exudes her welcoming presence. And the cases feature stunning custom designs by Dianna and the store’s other two designers.

Custom Creation 

Dianna knew that to attract customers, she had to create a unique experience. For 35 years in the business, custom design had been her focus, so it made sense to devote her store to it. In addition to designing for customers, she and the store’s other two designers create the jewelry in the cases. “My love for unique colored gemstones leads me to create a variety of designs from funky to vintage,” she says. “The jewelry that I design for our cases centers around colored gemstones. I also do a lot of remount and special request designs for my clients. I listen to their story and help them turn that into jewelry.”

Opal Round Tableftb Spring 2020 Dianna Rae Customer Event

“Opals are intrinsically mysterious and vary dramatically in colors,” Dianna says. “Customers really respond to them because they seem to be alive. We began our gemstone education with opals and held it at the store.” Interest grew, and it wasn’t long before Dianna had to move the event to a local restaurant to have adequate seating. She has an opals expert come and talk about the different types while attendees look at a wide selection.

The store’s Gemstone Round Table uses the same format. Customers view a wide selection of beautiful and exotic gemstones presented by a gemstone expert. “When customers decide which opal or gemstone they want,” Dianna says, “we schedule an appointment to help them design a piece of jewelry that shows it off to best effect.” She offers each of these classes twice a year.

Designing with Customers

“Our goal with the design process is to bring out the client’s inner designer and guide them through the process step-by-step,” Dianna says. “Some come in with a picture of a piece they like, but with CounterSketch®, hand sketches, and Matrix®, we can show them many more possibilities. We help them achieve their goal of a unique design.”And clients love the process. When Dianna and her design staff use their CAD software, they enhance the customer experience by printing the jewelry on the store’s 3D printer.

For more on Dianna’s journey and why she loves calling Lafayette, Louisiana home, check out her full feature in the Summer 2020 edition of From the Bench.

Tumbling Media for Jewelry: Finding the Right One

tumbling media

You’ve heard of tumbling media for finishing jewelry; you’ve probably even used it. But there are many kinds, and each one has characteristics that make it better suited for one type of project, finish, or tumbler.

This handy guide, featured in From the Bench’s Repair Issue, will help you make the right choice and achieve better results with your jewelry.

What’s the Difference?

Tumbling media abrades against your jewelry to remove unwanted material. Applications include deburring, polishing, burnishing, and removing fire scale. Create your desired surface finish by choosing media based on characteristics like size, shape, and composition.

Tumbling Media 1: Stainless Steel Pins

Stainless steel pins leave a semi-bright finish in a short amount of time, perfect for use right after casting. Use stainless steel pins with a magnetic tumbler, along with Stuller’s finishing soap.

47-5055 stainless steel pins


Tumbling Media 2: Treated Walnut Shell

This media can be used on all metals to produce an excellent mirror finish. Use it in a vibratory or barrel tumbler.

47-5216 treated walnut shell


Tumbling Media 3: White Pyramids

These plastic, pyramid-shaped media have a medium-cut surface and produce a very fine cut surface conditioning. They’re best for soft metals, to leave a smooth finish with little shine. Use these in a vibratory or barrel tumbler.


Tumbling Media 4: Stainless Steel Mixed Shot

Stainless steel shot is rust- and corrosion-resistant, requires no special storage, and is ideal for use in wet, flow-through systems. Used in a vibratory or barrel tumbler, this stainless-steel shot leaves pieces bright and clean, burnishing metals to a mirror finish.


Tumbling Media 5: Porcelain Balls

Because of their shape, 2-mm porcelain balls impart a single point of contact, leaving a very fine finish to almost any area it reaches. It’s very popular for delicate parts, fine-edge blanking, and precious metal burnishing. Use them in a vibratory or barrel tumbler to create a bright finish with less distortion.


Tumbling Media 6: Brown Pyramids

These plastic, pyramid-shaped media have a medium-cut surface and produce very fine surface conditioning. These pyramids are best for soft metals, to leave a smooth finish with little shine. Use them in a vibratory or barrel tumbler.


Tumbling Media 7: Ceramic Polyhedrons

Ceramic is the heaviest tumbling media and the fastest finisher. Its polyhedron shape is great for grinding and polishing hard metals. It’s also good for deburring machined, casted, and fabricated parts. Use it in a vibratory or barrel tumbler.


Explore tumbling media, other finishing tools and supplies, plus talk to experts and more during Stuller’s Bench Jeweler Workshop, March 27-28, 2020. Register by February 17 to take advantage of early-bird pricing.

Trusted & Tested: Stuller is Your Certified Recycled Metals Source

As Stuller celebrates 50 years in the industry, it’s a perfect time to look back on our history and the numerous milestones we’ve achieved. Among them, we’re proud to have earned both the Responsible Jewellery Council (RJC) Certification and the SCS Global Services Certification for 100% recycled metals.


RJC certifies fine jewelry manufacturers for responsible ethical, social, and environmental practices throughout all operations. And, according to the SCS website, “SCS is accredited to conduct RJC Code of Practices and Chain-of-Custody verification assessments.”

Read more about our RJC certification.


SCS partners with companies to “drive practices, policies and processes that advance the goals of sustainable development and give innovators a competitive advantage.” Their services enable companies and consumers to make informed decisions based on “the highest level of environmental, ethical and quality accountability.”

SCS Recycled Content

SCS certification ensures recycled metals are used while conflict metals and other questionable materials are avoided. Stuller is honored to be a user and supplier of certified 100% recycled fine gold, fine silver, palladium, and platinum. Learn more about RJC, SCS, and Stuller’s commitment to ethical sourcing and Fair Trade practices.

Why do we take the extra steps to ensure our metals are certified 100% recycled? Because in addition to providing them to jewelers, we use them ourselves. “Stuller’s Metals department is quite unique,” says Tammy Lail, Vice President of Tools and Equipment, Metals, and Packaging and Displays. “We produce metals and work with them internally. We use what we sell. This gives us a unique advantage to really test and work with our offerings. In addition, we have inventory, so we can provide minimum quantities and immediate delivery.”

Supply Chain Awareness

Over the past few decades, it has become increasingly important to make sure we fully understand our supply chain. “Ethical sourcing of metals has been the biggest change in the industry,” Tammy says. “It’s important to understand where your metal is sourced. Our position is that there is enough metal already in the marketplace and that mining metal is an unnecessary process or damage to the earth.”

But responsible sourcing isn’t enough. “Our main objective is to provide socially responsible metals that perform consistently,” Tammy shares. “We continuously test our metals to make sure they perform the same way every time they are used.”

Metal Innovations

Essential to Stuller’s continued success, Tammy says, “We are always seeking new alloys to help our customers.” This is happening with the expert help of Randy Welch, Senior Process Engineer in Metals Technology, who has been part of the Stuller family since 1981.

Randy has worked in casting, assaying, making mill products, and metal development, including creating and improving alloys.

“Sometimes an alloy isn’t performing as it should. Off I go to investigate and correct,” Randy says. “I also spend about 40% of my week on the phone with customers, helping them with issues. That’s an essential part of my job.”

Through the years, Randy says, newer equipment and technology in the industry have necessitated adjusting alloys for better performance. He has even been involved in creating new alloys to meet new needs in technology.

The Next 50 Years:
What’s Next for Stuller Metals?

Many Stuller team members are currently in Vicenza, including members of the metals department. “We are always interested in the metals that are being used in the industry — how they are being paired together, like rose gold with white gold, etc.,” Tammy says. “In addition, we aim to understand non-precious metals as well as their impact and ease of manufacturing.”

We look forward to sharing what they learn and how it can help with your metal needs. In the meantime, you can learn about our recycled metals, new products, technology, and much more during Stuller’s Bench Jeweler Workshop, March 27-28, 2020. Register by February 17 to take advantage of early-bird pricing.

Ready to see what we have to offer? Shop Stuller metals today.

10 Jewelry-Making Tools for Efficiency In Your Workspace

10 Jewelry-Making Tools for Efficiency Blog Header

You’ve briefed yourself on your game plan, you’ve started stocking your bench, and you’re gearing up for the approaching customer tidal wave. The holiday season is on the horizon and it’s time to prepare your workspace for the slew of jewelry it’ll be seeing.


Here are 10 jewelry-making tools for efficiency to help you handle the demanding selling season ahead.


Leica® Bench Microscope • 29-4758

With its zoom and focus knobs, this easily operable microscope is perfect for detail work and can be adjusted to the user’s preferences.

Jewelry-Making Tools for Efficiency Leica Bench Microscope

GRS® Microblock XL Ball Vise • 26-4219

Made for stone setting and engraving, this vise is the perfect size between the GRS Microblock and the GRS Standard Block. Plus, it works well with GRS attachments and accessories.

Jewelry-Making Tools for Efficiency GRS Microblock XL Ball Vise

GRS® GraverSmith Pneumatic Power Tool • 26-4013

Ideal for jewelers on a budget, this versatile tool offers basic work capability for stone setting and engraving at a smaller cost than fully-featured machines — but with no sacrifice on work quality.

Jewelry-Making Tools for Efficiency GRS GraverSmith Pneumatic Power Tool

NSK Micromotor Kit • 35-1237

The NSK Micromotor offers both balance and motor power for smooth handling. The FiXpeed® system grants independent footswitch operation for the A and B motors, bringing you unprecedented versatility.

Jewelry-Making Tools for Efficiency NSK Micromotor Kit

Jeweler‘s Workbench • 13-0750

Made of sturdy composite multilayer material and featuring ten drawers for maximum storage, this workbench is a jeweler’s best friend. It will surely prepare you for the busy holiday season ahead.

Jewelry-Making Tools for Efficiency Jeweler‘s Workbench

Coherent®-Rofin Starweld Desktop Laser • 14-0135

Life is better with laser welders, and this one is perfect for small shops needing big power. You can do it all: last-minute holiday repairs, work near heat-sensitive stones, and boost your efficiency by 50%.

Jewelry-Making Tools for Efficiency Coherent-Rofin Starweld Desktop Laser

Asiga® Max™ X 3D Printer • 24-1192

Top performance, reliability, and 18 resins printed each hour — this 3D printer exceeds the needs of jewelers and casting houses. Meet your holiday demand with an Asiga®.

Jewelry-Making Tools for Efficiency Asiga Max X 3D Printer

Elmasteam Basic Steamer • 15-2050

This powerful steamer uses a combination of pressure, speed, and temperature to clean hard-to-reach crevices — on both jewelry and complicated tools like burs and drills.

Jewelry-Making Tools for Efficiency Elmasteam Basic Steamer

Arbe Variable Speed Magnetic Tumbler • 47-4153

This magnetic tumbler has a small footprint but does big things: it delivers a high-polish finish and cuts down your time on hand finishing. Your holiday work will sparkle and shine nonstop.

Jewelry-Making Tools for Efficiency Arbe Variable Speed Magnetic Tumbler

Legor Plating Unit • 45-4092

Maximize your plating productivity with the six one-liter tanks of this unit. This system supports plating from start to finish, making it a great plating time saver during the holiday crunch.

Jewelry-Making Tools for Efficiency Legor Plating Unit

Which jewelry-making tools for efficiency help enhance your workspace? Let us know in the comments below!